MELBOURNE FRINGE - Key Persons
Job Titles:
- Venue Operations Manager ( Common Rooms )
Abbie's first Fringe experience was attending the newly opened Fringe Common Rooms for a Club Fringe tribute to Janet Jackson, she is excited to be on the other side this year, helping to make these events happen!
Abbie is an events and hospitality legend, originally from the UK, who has made Melbourne her home. Abbie has managed the operation of West End theatres, underground raves, music festival bars and independent arts venues. A true party enthusiast, Abbie finds joy in both managing and attending events of all kinds (especially if they involve fancy dress) and dancing until the sun comes up! When she's not slinging drinks behind the bar or turning up the volume at the ops desk, Abbie enjoys snacking, roller skating and hanging out with her pet rabbit, Beatrix.
Job Titles:
- Publicist
- Senior Publicist
During the Festival, Adam can be found connecting media with artists, holding a cameraman's flash for a photoshoot or dressed as Cher from Clueless.
Adam started his public relations career in the festival circuit in Sydney before moving to Melbourne ten years ago (yes, he now says "potato cakes" instead of "potato scallops").
Having worked for over a decade on the publicity of some of the country's biggest events, festivals and arts organisations - his career highlight still remains the day he had to step in as a model on a boat photo shoot dressed as a mermaid vampire zombie. A coffee addict from his many days waking up for breakfast TV weather crosses, Adam handles publicity for the Festival, its year-round storytelling and is the team's resident wordsmith.
During Fringe or any festival for that matter, Amelia suggests not doing what she does and waiting till the last minute to buy tickets for your fav event and finding it's booked out…oops.
Amelia is an arts worker, artist and writer who loves all things art and history, having completed studies in art history and curatorship. After putting on her own exhibition in the 2019 Festival, she jumped at the possibility of joining the Fringe team. She has worked with a variety of arts organisations, including co-curating the Ballarat International Foto Biennale's 2020 pandemic inspired project Mass Isolation Australia and is keenly interested in the role of the arts in exploring feminism and socio-politics. She is an avid tea lover, adores a good op-shop and thinks twilight is the best time of day.
Carly's hot tip for Fringe is the words and ideas sessions. She loves a good panel discussion and will probably be live tweeting what's happening.
Carly Findlay works as Melbourne Fringe's Access Advisor. She works to educate artists, venues and the wider arts sector in creating accessible shows; and builds and maintains close relationships with Deaf and disabled artists.
Outside of Fringe, Carly is an award-winning writer, speaker and appearance activist. Her first book, a memoir called Say Hello, was released in January 2019. Carly edited the anthology Growing Up Disabled in Australia with Black Inc Books, published in February 2021. She writes on disability and appearance diversity issues for news outlets including the ABC, The Age and Sydney Morning Herald, SBS, CNN and Vogue. In 2020, Carly Findlay received a Medal of the Order of Australia (OAM) for her work as a disability advocate and activist. She's a new rollerskater, a lifelong Darren Hayes fan and has never met a cheese she didn't like.
Dan's first Fringe experience was as an artist, and he's gone on to work for the Festival in countless roles (actually, about seven). As well as grants and copy, he also writes plays for families, young people and adults, and these have been produced across Australia in theatres, school halls, parks, tents and one time in a barn outside of Hobart. Come Fringe time he can be found scouring the program for fun new writing and adventurous experiences for kids.
Job Titles:
- Program Coordinator ( Artist Development )
During the Festival, they can be seen smashing too many blue plates at Sushi Hub and 7/11 iced coffees at 11:45pm. Their Festival hot tip is to drink water, and don't forget travel time between shows. Getting across the city in 2.5 minutes to catch a show because one ran late is a unique type of stress that can only be expressed through cry-running.
Outside Dani Leever's Fringe role, they're the Online Editor at Archer Magazine, an award-winning publication exploring gender, sex and sexuality. They've worked in marketing at Emerging Writers' Festival, Digital Writers' Festival, Midsumma and Melbourne International Comedy Festival.
Their non-fiction writing, mainly exploring pop culture and queerness, has been published with MTV, JUNKEE, Pedestrian.TV, SBS, Voiceworks, Broadsheet and more. Their writing on OCD appears in Fremantle Press's anthology ‘Try Not To Think of a Pink Elephant'. They perform as DJ Gay Dad; they're extremely passionate about finding a song to match the BPM of ‘Untouched' by The Veronicas.
Job Titles:
- Producer
- Head of Programs & Projects
Danny's hot tip for Fringe is get in early! Too many times in the past he's put off seeing a show he wants to see only to find out everyone else was too and it's now sold out.
Danny Delahunty is an arts producer and theatre director who has been working broadly in the independent sector for the best part of the past ten years. He has presented over 50 seasons of 34 projects, working with established theatre companies, on independent projects and in touring works around Australia and overseas. Prior to Fringe, Danny was working as the Festival Producer for Drama Victoria, an Events Producer for Melbourne Writers Festival, and the Tours Coordinator for Melbourne International Comedy Festival, as well as continuing his work as an indie project producer and his passion as a theatre director.
Eilysh's hot tip for Fringe is to keep in mind some of the best and most immersive experiences can be found in the quirky or smaller venues.
Eilysh Toose is a participatory and outdoor arts advocate, having worked in the local government sector for a number of years in community arts development and cultural events. Eilysh was the lead producer for the annual Hornsby Shire Festival of the Arts, Hornsby Art Prize and curator at the Wallarobba Arts and Cultural Centre. Now back from a two year stint in the UK working on the Stockton International Riverside Festival and coordinating an annual programme of civic events, Eilysh continues to support the development and delivery of new major works at Melbourne Fringe and is thrilled to be home with her beloved roller skates.
During the Festival, Emma can be found napping with her dog in between events and scouring TikTok for the best places to eat pre and post show.
Outside of claiming she watches the Kardashians to gather cultural references for work, Emma is a visual art enthusiast and graduated in 2021 with a degree in Art History and Italian. She's worked on programs with M Pavilion and National Gallery of Australia, interned with Midsumma Festival's marketing department and is currently studying a Master of Art Curatorship at the University of Melbourne. She's over the moon to have joined the Melbourne Fringe team in 2022 as self-proclaimed pop-culture princess and general white knight in shiny excel armour.
Job Titles:
- Producer ( Special Projects )
Erica is a Creative Producer with more than 15 years of contemporary and experimental live performance practice working across Australia and internationally. She has curated programs and produced for Sydney WorldPride, the Australian Performing Arts Market (APAM), Next Wave, Sydney Festival, Performance Space, Darwin Festival and others.
She is dedicated to facilitating arts outcomes which are rigorous, relevant, and reflective of the communities they serve. As a consultant and facilitator, she is an active advocate for a strong creative sector, mentoring artists and arts workers and serves as the the chair of the board of Theatre Network Australia, the peak body for independent performing artists and arts workers.
Her second favourite ‘F' word is Festival.
Job Titles:
- Marketing Coordinator ( Digital )
During the Festival, Ethan can be seen in the line waiting for a coffee, as his sleep routine becomes a secondary priority to seeing as many shows as possible.
Ethan started at Melbourne Fringe mid-lock down in 2021 but has been working in the Melbourne arts scene since he was a teenager. As far as Ethan is concerned, there's never a bad time or place to spread the good word about upcoming shows and where you can buy your tickets, including dancefloors, Uber Pool and dating apps. He prides himself as being the guy on the marketing team people tend to turn to when they need a few more jokes added to their emails or show bios. His two biggest loves are cooking and disco, often seen concurrently.
Job Titles:
- Director
- Public Policy Consultant
Felix is a public policy consultant specialising in fiscal policy, infrastructure projects and public sector commercial strategy. He is currently a director in PwC's Infrastructure Strategy and Economics team. Prior to joining PwC, he held numerous roles in government including Principal Commercial Adviser to the Treasurer of Victoria and Budget and Fiscal Policy Adviser to the Leader of the Opposition.
With over 20 years' experience in strategic communications Feyi is one of the country's most sought after communications consultants. Feyi has a deep understanding of the nexus between policy, politics and business having spent 15 years in public affairs including five years in Canberra leading a bi-partisan team of top government relations experts.
Her counsel is valued by some of Australia's leading organisations including Google, Bunnings, Officeworks, Uber, CBA, RMIT, Life Without Barriers, the National Farmers Federation, and the federal departments of Health and Ageing, NDIA, Defence, Home Affairs and Education, who look to her for reputational, strategic messaging and engagement counsel around policy, advocacy, effective stakeholder engagement, public affairs and digital communications.
She is a member of the Australian Market & Social Research Society (AMSRS), sits as the president of the Australian Professional Government Relations Association (APGRA) and on the Board of the International Association of Political Consultants (IAPC). Feyi was also the Federal Arts Minister's representative on the Board of the Australian Children's Television Foundation for nine years.
Job Titles:
- Producer
- Associate Producer ( Signature Events )
Harriet's hot tip for the festival is try to spend as much time out of Carlton as you do in it! There will be so much cool stuff happening all over Melbourne this Fringe Festival. Explore!
Harriet Wallace-Mead is a Melbourne-based theatre-maker, producer, and budding horticulturalist. They have a background in devised theatre and working with students, and when they're not making art you can find them in the garden learning as much as they can about plants. They fell in love with Melbourne Fringe after they produced their first Fringe show in 2018 and felt so supported by the Fringe staff throughout the process. In 2019 they came on board as Club Coordinator and had an absolute blast, and after a brief sojourn into gardening, they were back in 2022 to work on the Club again. This year they'll be foraying into the daylight hours and helping out on the Signature Events program, and they can't wait to show you everything we have in store.
Job Titles:
- Sales & Events Coordinator ( Fringe Common Rooms )
During the Festival, Jade can be found accruing a stack of unwashed meal-prep Tupperware, having foregone dishes for the sake of art, art, and more art.
If there's one thing Jade loves, it's spreadsheets. If there's a second thing Jade loves, it's disco balls. Coming from a background of hospitality, events, and theatre, Jade is excited to help put some year-round oomph into Common Rooms.
Outside of the word of Fringe, Jade can be found grinding away at her Master of Arts & Cultural Management, scouring op-shops to scratch the vintage fashion itch, and practicing some of her more out-there hobbies like fencing, banjo-playing, and staring at her Google Calendar. Or some of her less-out-there hobbies like reading depressing non-fiction, attending an overabundance of indie theatre, and curating niche Spotify playlists.
Job Titles:
- Program Manager ( Independent Arts )
Jason's hot tip for Fringe is to tell all your friends about the amazing shows that you see, so they can experience some Fringe magic too. Shout your recommendations from the figurative (or literal) rooftop.
Jason is an art and performance lover, dance-floor shaker and a massive festival nerd. Originally from Adelaide, they began their arts career producing shows for Adelaide Fringe, then working for the festival as Artist and Venue Coordinator. They've also jetted around working for a bunch of fabulous festivals like Edinburgh Fringe and Sydney Film Festival. Recently, they worked at Midsumma Festival managing their open-access events and ticketing systems. As a loud and proud queer, Jason is particularly proud of this work to support the LGBTQIA+ arts community. He is now jumping with joy to join team Melbourne Fringe!
One of Joel's first Fringe experiences was creating and performing in the sold out, award-winning show Biladurang.
Joel is a proud Wiradjuri man and Melbourne-based artist. After training at both NAISDA and WAAPA, he now performs with Chunky Move and has a practice springing from his Wiradjuri cultural heritage. His first solo performance Biladurang, commissioned for Deadly Fringe in 2017, won three Festival awards and went on to tour nationally and internationally to great acclaim. Re-invented for the digital space, Biladurang 2.0 premiered at Melbourne Fringe's VCR Fest in July 2020.
Joel's work has appeared at Brisbane, Sydney, Darwin, Midsumma, Auckland and Dance Massive Festivals as well as Arts Centre Melbourne.
During the Festival, Kaho will be seen sipping on dancing juice, vibing the arts and living his best life.
Kaho is an avid consumer and enjoyer of the arts, in all its shapes and forms, particularly the quirky and weirder ones that reflect him as a person. Coming from a background of journalism and media, Kaho did a hook turn from teaching media and dance in high schools to kick starting his career in the arts with Melbourne Fringe. Kaho has also spent the past decade mastering coffee and cocktails behind the bar, and he welcomes a good chat anytime. Kaho startles easily. Kaho hates writing in third-person about himself.
Kirsty founded Artistic Merit in 2007 and has significant experience in the arts and government sectors.
She was inaugural manager of the Esso BHP Billiton Wellington Entertainment Centre and has led the Monash University Academy of Performing Arts. She was awarded an Asialink Arts Management Residency to Indonesia and continues to work closely with Indonesian partners.
Kirsty has worked for Arts Victoria, The Monash University Academy of Performing Arts and The Arts Centre amongst others and has been a board member and Chair of Polyglot Theatre, Astra, Gippsland Regional Arts Sale. She is a fellow of the Gippsland Community Leadership Program.
Lizzy's hot tip for Melbourne Fringe: Dress up, don't be shy to go alone and cheer loud!
From Aotearoa, New Zealand Lizzy relocated to Melbourne, and wound up in the heart of Naarm's vibrant arts culture. Being a festival goer is one of Lizzy's favourite hobbies, she loves being a part of an audience and is super excited to see many whacky and wonderful performances this year!
Lizzy has worked for festivals across New Zealand and Australia providing digital marketing and public relations support, including festivals such as Splore, Melbourne International Comedy Festival, White Night and now Melbourne Fringe!
Louise is an experienced in-house lawyer in the charities and not-for-profit sector and an accomplished musician trained in jazz and improvisation at the Victorian College of the Arts.
Her in-house legal experience includes roles in governance and compliance, along with general commercial legal services.
She is passionate about supporting not-for-profit organisations with their governance processes and frameworks, and about providing a more strategic focus so that not-for-profit organisations can better achieve their purpose and mission.
She is currently General Counsel, Director Legal & Risk at well-known Melbourne animal welfare organisation, The Lost Dogs' Home.
As a professional musician, she has released two albums and has performed and toured extensively in Australia and overseas, including a season at the Edinburgh Fringe Festival in 2018 as a member of ‘Yana Alana and The Paranas'.
Job Titles:
- Business and Operations Manager
Louise Richardson (she/her) Business and Operations Manager During the Festival, Lou can be seen exploring everything Fringe has to offer! Better known as Lou, she started her time in the arts as an independent artist. Lou performed in the 2016 Melbourne Fringe Festival alongside some of her university classmates. She went on to volunteer with Fusion Theatre and then produced her own show in 2019. Lou has been working in event operations across a number of charity and fun run events. When the opportunity rose in 2021, Lou decided to combine her passions and expertise to join the Melbourne Fringe team.
Job Titles:
- Administrator
- Producer
- Producer ( Festival Hub )
Matt's hot tip for Fringe is to line up a few shows to see back to back and make a night of it! The more shows you see the more varied and dynamic your experience will be.
Matt Hirst is an arts administrator, producer, and wannabe chef. He is passionate about helping artists with the nitty-gritty stuff so that they can focus their energy on creating the art. Matt brings his experiences in Box Office, Front of House, Venue Operations, Independent Producing, Artists Services and back in the day, even performing. Matt has a range of skills and experiences within the independent arts sector. He has worked for Midsumma Festival, Melbourne International Comedy Festival, Melbourne International Film Festival, and other arts organisations in a range of roles. With Melbourne Fringe, Matt independently produced for First Nations circus company Na Djinang Circus, co-founded a queer and female identified independent venue with Camp Conscious Collective and performed in Shania Choir - an a Capella Shania Twain tribute choir that toured the country in leopard print and lashes. As Producer of the Festival Hub, Matt is hoping to successfully pull together a home for Melbourne Fringe and a number of its events and artists.
Michael Hyde, holding a Bachelor of Commerce from Canterbury University in Christchurch, is the Head of Strategy at M&C Saatchi Melbourne.
Michael has significant experience across a variety of clients in the sport, tourism & leisure, arts, FMCG, automotive, health insurance, financial services, education, recruitment and media industries. Michael has a passion for and has significant experience on social impact and citizen marketing, cause related initiatives, and behavioural change programs for Government and NGO's.
With a career that bridges strategy in both creative and media agencies, Michael is able to bring a unique perspective to the challenges brands and businesses face in a modern and dynamic world, and how to connect with people in meaningful and timely ways.
Michael has a passion for people, insight, and how commercial creativity can influence behaviour and choice. He takes a collaborative approach to developing enduring ideas that connect with people, and contribute to real business and social outcomes.
Over the years his work has been recognized at globally and locally, including multiple creative and effectiveness award winning campaigns.
Outside of work Michael believes in volunteering and community service; he sits on the Parent Council of his daughters' primary school and is an accredited sports official with Life Saving Victoria.
Michael is a theatre director born and bred in Melbourne, and has directed theatre, dance and opera for each of the major State theatre companies, as well as all the major festivals across the country.
Michael's work includes The Caucasian Chalk Circle, Macbeth, The Ham Funeral and for Belvoir St Theatre in Sydney; Moon Spirit Feasting for the 2000 Adelaide Festival which later toured to Melbourne, Berlin, Zurich and Tokyo. Michael directed Chunky Move's 2003 Melbourne Festival production Tense Dave, which toured to the Sydney and Perth festivals and New York and collaborated as an actor with Barrie Kosky's Gilgul Theatre, performing in The Dybbuk, Es Brent, The Wilderness Room and The Operated Jew.
Michael was the Artistic Director of Malthouse Theatre from 2004 to 2010 directing many shows, including The Odyssey for the Melbourne and Perth International Arts Festivals, Though the Looking Glass with Victorian Opera, the Meow Meow spectaculars Vamp and The Little Mermaid, that both toured nationally and internationally, Optimism with The Sydney Theatre Company and Edinburgh International Festival, and The Threepenny Opera, also with The Sydney Theatre Company.
His first feature film, The Boy Castaways premiered at the Adelaide International Film Festival in 2015. He then adapted King Lear into two Indigenous languages for a new stage production, The Shadow King, that premiered at the Malthouse Theatre, and for which Michael was awarded The Helpmann Award for direction.
Coincidentally, the first ever show he ever directed was in the underground carpark at Melbourne Uni, and it was listed in that year's Fringe Festival. Michael is also known for his philanthropic work and is a committed advocate for climate action.
During the Festival, Miranda can be seen waxing lyrical about the BEST event she just saw - it may involve dancing with 400 people in a Town Square or watching a man dance with a soggy cardboard box, it usually always involves a wee bit of nudity (its Fringe, what can you do?!?)
Miranda started her career as an independent artist and then discovered, much to her delight, that she enjoyed selling tickets to the show, more than actually making the show (capitalism, what can you do?!?). Hence, she found her way into marketing in the arts. Prior to Fringe, Miranda worked as a Marketing Consultant in several organisations including the Canberra International Music Festival and Ainslie and Gorman Arts Centres. With a firm belief that participation brings social, cultural and personal benefits, Miranda has returned to her indy arts roots at Fringe.
Job Titles:
- Funding, Strategy and Evaluation Manager
During the Festival, Pauline can be seen fleetingly, elusively, like a shadow, sneaking up on great art.
Pauline graduated from Rusden College in 1989 and is a founding member of Snuff Puppets, working with the company as writer, dramaturg, performer and co- Artistic Director with Andy Freer until 2003. She loved every minute of her stint as funding manager at Back to Back Theatre from 2003 until 2016 and joined Melbourne Fringe in that role in 2016.
Job Titles:
- Program Coordinator ( Deadly Fringe )
Peta is a long-time hobbyist and admirer of the arts and is kicking off her arts career as the program coordinator for Deadly Fringe. She is a lover of music and cinema and spends time as a model and DJ on the side performing in events such as Melbourne Music Week and Australian Fashion Week. With a background in advocacy and project support Peta is even more excited to be able to combine her love for the creative industry with her passion to support and uplift the First Nations arts community.
Rachel's first Fringe experience was Midnight Mess, and she can't wait to be a part of the same atmosphere at this year's Festival.
Rachel began her festival career at Edinburgh Fringe in 2018 and has been chasing the rush ever since. She's now worked in ticketing and customer service across several festivals in the UK and Australia and is delighted to be a part of the Fringe team in her home city of Melbourne. Originally coming from a visual arts background, her love of ticketing stems from helping other creative people achieve their goals.
Outside of festivals, Rachel loves to travel, play field hockey, and make friends with dogs she meets in the park.
Robert Camm runs his own consultancy business specialising in providing strategic and commercial advice to Boards, CEOs and Executive teams. With over 35 years of experience in the public and private sectors, he has performed key roles in health service planning, strategic planning, business case development, financial modelling, business analysis, tender evaluation, contract reviews, budget formulation, organisational design, financial management and project management. He is also a Director (and Treasurer) of Maryborough District Health Service and Nillumbik Community Health Service Ltd (trading as healthAbility).
Rupert is a fundraising professional who has worked in the arts for over 20 years in marketing, corporate partnerships and philanthropy management roles for organisations including Melbourne Theatre Company, the Melbourne International Arts Festival and the Australian Youth Orchestra. Currently Director of Development at Melbourne Theatre Company and a Director of the Newsboys Foundation, Rupert is passionate about creating opportunities for donors and corporate partners that help them forge deep and long-lasting connections to the arts, and in turn strengthen our artistic community to foster a more creative and empathetic society.
During the Festival, Simon can be seen squeezing more art out of a day than you thought was humanly possible.
Simon is Melbourne Fringe's Creative Director and CEO and is recognised as one of Australia's arts and cultural leaders. His work explores the intersection of art and civic participation. Simon is a life member of Theatre Network Australia, an organisation he co-founded then Chaired from 2010-2017. Simon has previously served as Head of Programming at the Wheeler Centre for Books, Writing & Ideas and as Executive Producer and Co-CEO at Polyglot Theatre. He regularly works as a facilitator, host, peer assessor, mentor, judge and arts consultant, known for his expertise in inclusive leadership, advocacy, dramaturgy, work for children, and art in public space. Simon currently sits on the International Society for the Performing Arts Programming Committee (New York) and the City of Melbourne's Night Time Economy Activation Taskforce, and he is also a Trustee for the Betty Amsden Foundation.
In 2014, Simon was awarded a CHASS Australia Prize for leadership and was named as one of F+P Magazine's Movers and Shakers in philanthropy in 2019. In 2016, Simon was hilariously and inexplicably named as one of Executive Style's Best Dressed Men in Australia. In his personal capacity, Simon is a proud foster carer, caring for vulnerable and at-risk children in his home.
He likes experimental performance and 90s pop divas.
Stephanie's first Fringe experience was some many many years ago in the early 2000s at Edinburgh Festival Fringe. It cemented her love for the provocative!
Stephanie is an accomplished leader with over 15 years' experience working across commercial, business development and project management roles in both Melbourne and London. By nature she is a collaborator who thrives making meaningful connections in business and industry, and thus has spent some years working in development and sponsorship roles in the arts and events, most recently as Head of Development at Melbourne Festival. Stephanie loves to travel to experience all things food, art, music and culture. And she is channelling some of these passions as the Visitor Economy Manager at the City of Melbourne, responsible for ensuring Melbourne's status as a world class destination for visitation.
Toby has experience in producing and management roles at Malthouse Theatre, the Melbourne International Comedy Festival, the Adelaide Festival Centre and Token Events; as well as independently producing scores of touring and festival productions.
He has worked extensively across the performing arts, especially comedy, working in education programmes, creative and professional development programmes, marketing, ticketing, and strategic planning.
Job Titles:
- Deputy CEO
- Head of Development
- Manager
Will's first Fringe experience also happens to be his very first Melbourne experience. When he moved to Melbourne in 2014 his friend picked him up at the airport, gave him a pair of denim overalls and took him straight to 1992-1-Oh! at the Fringe Club.
Will is an arts manager and festival director based in Melbourne with experience working on a range of festivals in Australia and internationally. Prior to Melbourne Fringe he was the Executive Director of the Emerging Writers' Festival in Melbourne, where he led the organisation through a period of significant growth, forging major new partnerships to provide platforms for the next generation of Australian storytellers. Will brings a wealth of experience from across the arts sector, having worked for Melbourne Festival, Museums Victoria, 2high Festival and Assembly Festival at the Edinburgh Fringe, among others. He holds a Master of Arts (Arts Management) from RMIT University and a Bachelor of Creative Industries from the Queensland University of Technology. He is pictured here in his natural habitat: eating crackers and dip.