Updated 2 days ago
Shooting in stereoscopic 3D is an art. The new domestic fixed lens 3D cameras miss one important point - to get the best 3D effect for each shot, you need to be able to vary the distance and convergence of the twin cameras to maximise the effect. Get it right and it is stunning. Get it wrong and ... well you might as well not have bothered. We have been involved with pioneering 3D filiming for almost two decades and work with one of the UK's top experts in this field, Jack Ezra.