SEBASTIAN DUNCAN-PORTUONDO

Sebastian Duncan-Portuondo participates in multi-directional cultural traditions and investigates silenced histories to propose conditions for cross-identification. Stained glass channels both a sacred and Cuban-American heritage in his work. Speculative spaces implicate collective memory and hybrid identities; lyrical artworks navigate ideas of home, queerness, and displacement. Through architectural intervention, public art, performance, and object-based work he re-envisions traditions in stained glass, mosaic and light-based media.

Primary location: St. Sebastian